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Would you like to look at the photographs of a German soldier?

Meetings of varying duration, series of posters in local languages (420 x 584 mm), 2018

Through a series of posters and over the course of various weeks, I invite passersby to stop at the gallery space to look in my company at a collection of photographs taken by a German soldier. The identity of the soldier (my great-grandfather) and the timeframe of the photographs (World War II) is revealed to the visitors at the beginning of the meeting. The sessions mainly take place on an individual basis and are in no way scripted nor documented, trying thus to foster a climate of confidence and open discussion. Nonetheless, the quality of the encounters and the personal stories, observations, concerns and emotions that arise are later on partly written down and feed, in a diffuse way, a process of writing that explores the possibility of carrying a multitude of voices while speaking in first-person. With this format, I expose for the first time the entirety of this family archive to the look of others and try to set up a space of exchange where a wide range of interpretations and reactions to this sensitive material can coexist. Ultimately, the project aims to think about the implications of looking at such images today, in the light of contemporary debates about nationalism, militarism, post-colonialism, the rise of right-wing populist parties or the so-called European migrant crisis, to name a few.

This project was first developed during a residency at Superdeals (Brussels) and led to a text titled The vulnerability of the snake at the time of sloughing its skin and the figure of the German soldier, which was presented as a lecture-performance during the closing event.







Views of the project at SUPERDEALS, Brussels, in June 2018